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Pick up your FREE copy at any Regal Cinema Art location.
Includes additional in-depth features on the following films. |
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Sleepwalking
Director: Bill Maher
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A moving drama about the deep familial bond that develops between a 30-year-old man and his young niece after the girl's mother suddenly leaves town. Forced out of her home after her boyfriend is arrested, Joleen Reedy needs a place to stay with her 11-year-old daughter, Tara. She turns for help to her younger brother, James--a simple and overly trusting man who doesn't hesitate to welcome them into his modest rental apartment. Almost as soon as she moves in, however, Joleen hits the road with another man. Utterly ill-equipped to be the sole guardian of an adolescent girl, James does his best to make his distraught niece happy. But before long, things spin out of control: he loses his road crew job and Tara is put into foster care. Additionally, old wounds from his emotionally abusive and sometimes violent father begin to reopen as James is forced to re-examine his life. That's when James makes a fateful decision that will bring his life full circle and force him to face his demons. He takes off with Tara and the pair assumes new identities as father and daughter. What starts out as a ploy to evade authorities takes on a deeper significance as James strives to become the dad Tara never had, and for the first time finds a true purpose in life. |
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THE AIR I BREATHE
Director: Jieho Lee
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A businessman (Forest Whitaker) bets his life on a horse race, a gangster (Brendan Fraser) sees the future, a pop star (Sarah Michelle Gellar) falls prey to a crime boss (Andy Garcia) and a doctor (Kevin Bacon) must save the love of his life. Based on a Chinese proverb, these four overlapping stories dramatize the four emotional cornerstones of life: happiness, pleasure, sorrow and love.
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AN AMERICAN CRIME
Director: Tommy O'Haver
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Based on a true story that shocked the nation in 1965, the film recounts one of the most shocking crimes ever committed against a single victim. Sylvia and Jennie Fae Likens, the two daughters of traveling carnival workers are left for an extended stay at the Indianapolis home of single mother Gertrude Baniszewski and her seven children. Times are tough, and Gertrude's financial needs cause her to make this arrangement before realizing how the burden will push her unstable nature to a breaking point. What transpires in the next three months is both riveting and horrific, leaving one child dead and the rest scarred for life. |
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THE BAND'S VISIT
Director: Eran Kolirin
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A small Egyptian Police band arrives in Israel. They are suppose to play at an initiation ceremony but instead are left stranded at the airport. The band tries to make their way on their own, only to find themselves in a desolate, small Israeli town, somewhere in the heart of the desert. THE BAND'S VISIT is the story of a lost band in a lost town.
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BATTLE IN SEATTLE
Director: Stuart Townsend
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Based on one of the most incendiary political uprisings in a generation, BATTLE IN SEATTLE takes an in-depth look at the five days that rocked the world in 1999 as tens of thousands of demonstrators took to the streets in protest of the World Trade Organization. What began as a peaceful protest intended to stop the WTO talks quickly escalated into a full-scale riot and eventual State of Emergency that squared off peaceful and unarmed protestors against the Seattle Police Department and the National Guard.
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BONNEVILLE
Director: Christopher N. Rowley
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When the life she knew suddenly changes, Arvilla Holden finds herself at an emotional crossroads. Hijacking her two best friends, Carol and Margene, she sets off in a vintage '66 Bonneville convertible across the great American West on what turns out to be the journey of a lifetime.
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CARAMEL
Director: Nadine Labaki
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In Beirut, five women meet regularly in a beauty salon, a colorful and sensual microcosm of the city where several generations come into contact, talk and confide in each other. In the salon, their intimate and liberated conversations revolve around men, sex and motherhood, between haircuts and sugar waxing with caramel.
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CHICAGO 10
Director: Brett Morgan
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Written and directed by Brett Morgen (THE KID STAYS IN THE PICTURE), CHICAGO 10 presents contemporary history with a forced perspective, mixing bold and original animation with extraordinary archival footage that explores the build-up to and unraveling of the Chicago Conspiracy Trial. Set to the music of revolution, then and now, CHICAGO 10 is a parable of hope, courage and ultimate victory, the story of young Americans speaking out and taking a stand in the face of an oppressive and armed government.
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CITY OF MEN
Director: Paulo Morelli
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In CITY OF MEN producer Fernando Meirelles (THE CONSTANT GARDNER) returns to the Brazilian favelas of his Academy Award-nominated film, CITY OF GOD. Growing up in a culture dictated by violence and run by street gangs, teenagers Acerola and Laranjinha have become close as brothers. With their eighteenth birthdays fast approaching, Laranjinha sets out to find the father he never met, while Acerola struggles to raise his own young son. But when they suddenly find themselves on opposite sides of a gang war, the lifelong friends are forced to confront a shocking secret from their shared past. |
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THE COUNTERFEITERS
Director: Stefan Ruzowitzky
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THE COUNTERFEITERS is the true story of the largest counterfeiting operation in history, set up by the Nazis in 1936. Salomon "Sally" Sorowitsch is the king of counterfeiters. His mischievous life of cards, booze, and women in Berlin ends abruptly when he is arrested and thrown into a concentration camp. Salomon exhibits exceptional skills there and is soon hand-picked to join a group of professionals who are forced to produce fake foreign currency under the program Operation Berhard. Faced with a moral dilemma, Salomon must decide whether his actions, which could prolong the war and risk the lives of fellow prisoners, are ultimately the right ones. |
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FLAWLESS
Director: Michael Radford
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From director Michael Radford comes FLAWLESS, a clever diamond-heist thriller set in swinging 1960s London. Demi Moore stars as female executive at the London Diamond Corporation that finds herself frustrated by a glass ceiling after years of faithful employment. She befriends a janitor (Michael Caine) who is reaching the end of his tenure at the company and is looking to help himself to a considerably more generous retirement package. Together they hatch a plot to steal a handful of priceless diamonds, setting off a swirling chain of events that send ripples all over Europe in this fast paced, stylish film. |
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THE FOOT FIST WAY
Director: Jody Hill
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After he attacks the man who slept with his wife, a Tae Kwon Do instructor goes on a downward spiral that ultimately causes him to escape his feelings by going on a pilgrimage with his buddy and two of his students to see his hero, Chuck "The Truck" Wallace.
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FUNNY GAMES
Director: Michael Haneke
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In this provocative and brutal thriller from director Michael Haneke, a vacationing family gets an unexpected visit from two deeply disturbed young men. Their idyllic holiday turns nightmarish as they are subjected to unimaginable terrors and struggle to stay alive.
Remade from his own acclaimed 1997 film, FUNNY GAMES is written and directed by Michael Haneke (CACHE), and stars Naomi Watts, Tim Roth, Michael Pitt, Brady Corbet and Devon Gearhart.
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GEORGE A. ROMERO'S DIARY OF THE DEAD
Director: George A. Romero
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GEORGE A. ROMERO'S DIARY OF THE DEAD is the latest sequel to his 1968 horror classic NIGHT OF THE LIVING DEAD. This installment finds a group of young film students who run into real-life zombies while filming a horror movie of their own.
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GIRLS ROCK!
Director: Shane King, Arne Johnson
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The primary subjects of GIRLS ROCK! are Laura, an articulate adopted Korean girl from Oklahoma obsessed with death metal; Misty, who is emerging from a life of meth-addiction, homelessness and gang activity; Palace, a sweet-seeming 8-year-old with a heavy metal sneer and "rawk" heart, and Amelia, another 8-year-old, who's writing a 14 song cycle about her Chihuahua Pippi and loves "crazy noise music." Forming bands, writing songs and playing a gig in one week, these girls and the rest of the campers engage in an experiment meant to change their perception of themselves and each other. What happens to the girls as they are given a temporary reprieve from being sexualized, analyzed and pressured to conform, is truly exhilarating. The act of picking up a guitar and making noise becomes a truly revolutionary act.
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IN BRUGES
Director: Martin McDonagh
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Bruges, the most well-preserved medieval city in the whole of Belgium, is a welcoming destination for travelers from all over the world. But for hit men Ray and Ken, it could be their final destination; a difficult job has resulted in the pair being ordered right before Christmas by their London boss Harry to go and cool their heels in the storybook Flemish city for a couple of weeks. Very much out of place amidst the gothic architecture, canals, and cobbled streets, the two hit men fill their days living the lives of tourists. Ray, still haunted by the bloodshed in London, hates the place, while Ken, even as he keeps a fatherly eye on Ray's often profanely funny exploits, finds his mind and soul being expanded by the beauty and serenity of the city. But the longer they stay waiting for Harry's call, the more surreal their experience becomes, as they find themselves in weird encounters with locals, tourists, violent medieval art, a dwarf American actor shooting a European art film, Dutch prostitutes, and a potential fem-fatal for Ray who may have some dark secrets of her own. And when the call from Harry does finally come, Ken and Ray's vacation becomes a life-and-death struggle of darkly comic proportions and surprisingly emotional consequences. |
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IRINA PALM
Director: Sam Garbarski
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Marianne Faithfull stars as Maggie, a middle-aged widow who, desperate to raise money to pay for her grandson's medical bills, takes a hostess job in a sex club. She soon transforms herself into the much sought after and highly paid Irina Palm. Along with her new persona, Maggie gains renewed self-confidence, realizing she is not as old and unattractive as she thought. But her two worlds collide as her clandestine existence provokes the suspicions of her family and inquisitive neighbors alike. |
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JELLYFISH
Director: Etgar Keret & Shira Geffen
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Three very different women live in modern Tel Aviv, Israel. Batya, a catering waitress, takes in a child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a bride who breaks her leg escaping a locked toilet stall, ruining her chance at a dream Caribbean honeymoon. And attending the event with an employer is Joy, a non Hebrew-speaking domestic worker who has guiltily left her son behind in her native Philippines. As this distaff trio separately wends their way through Israela's most cosmopolitan city, they struggle with issues of communication, affection and destiny--but at times find uneasy refuge in its tranquil seas.
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MISS PETTIGREW LIVES FOR A DAY
Director: Bharat Nalluri
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A sophisticated and heartfelt comedy. In the 1939-set romantic tale, Miss Guinevere Pettigrew (Academy Award winner Frances McDormand), a middle-aged London governess, finds herself unfairly dismissed from her job. An attempt to gain new employment catapults her into the glamorous world and dizzying social whirl of an American actress and singer, Delysia Lafosse (Academy Award nominee Amy Adams). Within minutes, Miss Pettigrew finds herself swept into a heady high-society milieu and, by the end of the day, discovers her own romantic destiny.
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MISTER FOE
Director: David Mackenzie
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MISTER FOE features Jamie Bell in his first starring role in a UK film since Billy Elliot and co-stars Sophia Myles, Claire Forlani and Ciaran Hinds. Hallam's talent for observing people reveals his darkest fears-and his most peculiar desires. Driven to expose the true cause of his mother's death, he instead finds himself searching the rooftops of the city for love.
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MY BLUEBERRY NIGHTS
Director: Wong Kar Wai
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MY BLUEBERRY NIGHTS is the new film from one of the world's most sought-after directors, Wong Kar Wai. It's a magnificent love story starring multi-Grammy award winner Norah Jones in her movie debut along with an "A-list" cast of Academy Award winners and nominees including Jude Law, David Strathairn, Rachel Weisz and Natalie Portman. Norah Jones plays a sensual, alluring young woman who sets out on an unforgettable journey of discovery in pursuit of true love. Set against New York's magical cityscape and the stunning vistas of America's legendary Route 66, the celebrated director's first English language picture embraces his signature elegance and originality that made HAPPY TOGETHER, IN THE MOOD FOR LOVE and 2046 must-see movies all around the world.
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MY BROTHER IS AN ONLY CHILD
Director: Daniele Luchetti
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Set in a small Italian town in the 60's and 70's, the film tells the story of two brothers who want to change the world -- but in completely different ways. The elder, Manrico, is a handsome, charismatic firebrand who becomes the prime mover in the local Communist party. Accio, the younger, more rebellious brother, finds his own contrarian voice by joining the reactionary Fascists. What starts as a typical tale of sibling rivalry becomes the story of the polarizing and paralyzing politics of those turbulent times, and the rift between the brothers is further intensified when Accio realizes that he loves his brother's girlfriend, Francesca who, like everyone else, is blind to Manrico's increasingly dangerous ideas.
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NOISE
Director: Henry Bean
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From the creators of THE BELIEVER, winner of the 2001 Sundance Grand Jury Prize, comes a black comedy about a man caught in the most impossible of conundrums: in love with his hometown, New York City, but driven mad by its noise. Transforming himself into "The Rectifier," David takes on everyone from the schmuck who ignores his own car alarm to the city's most powerful citizen, the Mayor. As his daring grows, New Yorkers rally behind him inspiring David to win this fight by the most ingenious of schemes.
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RUN, FAT BOY, RUN
Director: David Schwimmer
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Five years ago Dennis (Simon Pegg) was at the altar about to marry Libby (Thandie Newton), his pregnant fiance. He got cold feet and ran for the hills and he's been going in circles ever since. When Dennis discovers Libby's hooked up with high-flying-go-getter Whit (Hank Azaria), he realizes it's now or never. He enters a marathon to show he's more than a quitter but then finds out just how much sweat, strain and tears it takes to run for 26 miles. Nobody gives him a chance but Dennis knows this is his only hope to become more than a running joke.
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THE SIGNAL
Director: David Bruckner, Dan Bush, Jacob Gentry
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Imagine every cell phone, radio, and television in your city suddenly broadcasting the same mysterious signal over and over. Now imagine these "terminus" transmissions evoking violent, uncontrollable, psychotic chaos from everyone who comes in contact with them. THE SIGNAL invades the minds of everyday citizens living their workaday lives and having their sordid affairs. Suddenly struck by the power of the insidious transmissions, they are compelled to kill or be killed. Complicating matters is a zombielike resistance some characters have to the idea of remaining dead. The story violently explodes, blending bloody gore with psychological satire, for a truly original horror experience.
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SMART PEOPLE
Director: Noam Murro
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Imperious, testy, acerbic, monumentally tactless, and maddeningly self-absorbed Victorian Literature professor Lawrence Wetherhold is a middle-aged intellectual bully, whose cutting tongue has alienated his son James and made his daughter Vanessa into an unhappy, friendless Teen. When he falls for Janet, a former student, he'll have to deconstruct all his elaborate intellectual armor if he's to win her over.
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SNOW ANGELS
Director: David Gordon Green
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SNOW ANGELS adapted from the novel of the same title by Stewart O'Nan, is two stories of love and loss converging. One is of a recently separated couple attempting to pick up the threads of a future when faced with tragedy. The second is about an awkward young man, currently in the throes of discovering his first romance, forced to deal with the separation and subsequent strife of his parents' relationship.
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SON OF RAMBOW
Director: Garth Jennings
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A nostalgic trip back to the 1980s, SON OF RAMBOW is an inventive valentine to an era where, for the first time in history, young minds had access to technology that allowed them to create their own stories while paying homage to their larger-than-life heroes from the movies that inspired them. Will, who isn't allowed to watch TV or go to the movies, expresses himself through his drawings and illustrations until he finds himself caught up in the extraordinary world of Lee Carter, the school terror and crafter of bizarre home movies. Carter exposes Will to a pirated copy of the first Rambo film, "First Blood," which blows his mind wide open. Against his family's orders, his imaginative little brain begins to flower in the world of filmmaking. Will and Lee become popular at school through their films, but when a French exchange student, Didier Revol, arrives on the scene, their unique friendship and precious film are pushed to the breaking point.
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SUMMER PALACE
Director: Ye Lou
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China, 1989. Two young lovers play out their complex, erotic, love/hate relationship against a volatile backdrop of political unrest. Beautiful Yu Hong leaves her village, her family and her boyfriend to study in Beijing, where she discovers a world of intense sexual and emotional experimentation, and falls madly in love with fellow student Zhou Wei. Their relationship becomes one of dangerous games, as all around them their fellow students begin to demonstrate, demanding democracy and freedom.
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TEETH
Director: Mitchell Lichtenstein
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TEETH tells the story of High school student Dawn (Jess Weixler) works hard at suppressing her budding sexuality by being the local chastity group's most active participant. Her task is made even more difficult by her bad boy stepbrother Brad's (John Hensley) increasingly provocative behavior at home. A stranger to her own body, innocent Dawn discovers she has a toothed vagina when she becomes the object of violence. As she struggles to comprehend her anatomical uniqueness, Dawn experiences both the pitfalls and the power of being a living example of the vagina dentata myth.
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THEN SHE FOUND ME
Director: Helen Hunt
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Based on the novel by Elinor Lipman, THEN SHE FOUND ME tells the funny and moving story of April Epner (Helen Hunt) and her very unlikely path towards personal fulfillment.
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TRAILER PARK BOYS: THE MOVIE
Director: Mike Clattenburg
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For seven years Julian, Ricky and Bubbles have been entertaining fans as the Trailer Park Boys in the irreverent TV smash hit centered around a group of trailer park residents living in the fictional Sunnyvale Trailer Park. Upon their release from prison, the boys return to the trailer park to plan for the largest heist of their long, unsuccessful criminal careers-The Big Dirty, a scheme to steal vast quantities of untraceable change. But first, they need to outrun helicopters, survive shootouts, and face down drunken Trailer Park management in a deadly game of Sunnyvale Chicken.
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UGLY ME
Director: Claudio Dabed
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When Amanda is humiliated by her lover and fired from her job, she decides to move to a new town and start over, but this time by making herself up as an ugly woman in an effort to be taken seriously. When she meets Marcelo, a cocky new coworker and quintessential 'player,' she decides to go one step further and test him by playing both her ugly persona and her real one (whom she now calls Helena) against him. But juggling a double life proves harder than she'd imagined, and when real feelings begin to develop between both Marcelo and Helena, as well as between Marcelo and Amanda, she finds her comedy of errors has turned into an odd and sexy love triangle.
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UNDER THE SAME MOON
Director: Patricia Riggen
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UNDER THE SAME MOON tells the parallel stories of nine-year-old Carlitos and his mother, Rosario. In the hopes of providing a better life for her son, Rosario works illegally in the U.S. while her mother cares for Carlitos back in Mexico. Unexpected circumstances drive both Rosario and Carlitos to embark on their own journeys in a desperate attempt to reunite. Along the way, mother and son face challenges and obstacles but never lose hope that they will one day be together again. Riggen's film is not only a heartwarming family story; she also offers subtle commentary on the much-debated issue of illegal immigration.
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VINCE VAUGHN'S WILD WEST COMEDY SHOW
Director: Ari Sandel
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Produced by Vince Vaughn, the film follows Vaughn as he handpicks four up-and-coming comics and then leads them on a remarkable 30-city, 30-day, 30-show tour as tour creator and emcee. The film features footage from the tour's performances, as well as behind-the-scenes and a host of surprise guests.
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THE VISTOR
Director: Thomas McCarthy
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In a world of six billion people, it only takes one to change your life. Sixty-two-year-old Walter Vale is sleepwalking through his life. Having lost his passion for teaching and writing, he fills the void by unsuccessfully trying to learn to play classical piano. When his college sends him to Manhattan to attend a conference, Walter is surprised to find a young couple has taken up residence in his apartment. Victims of a real estate scam, Tarek, a Syrian man, and Zainab, his Senegalese girlfriend, have nowhere else to go. In the first of a series of tests of the heart, Walter reluctantly allows the couple to stay with him. Touched by his kindness, Tarek, a talented musician, insists on teaching the aging academic to play the African drum. The instrument's exuberant rhythms revitalize Walter's faltering spirit and open his eyes to a vibrant world of local jazz clubs and Central Park drum circles. As the friendship between the two men deepens, the differences in culture, age and temperament fall away. After being stopped by police in the subway, Tarek is arrested as an undocumented citizen and held for deportation. As his situation turns desperate, Walter finds himself compelled to help his new friend with a passion he thought he had long ago lost. When Tarek's beautiful mother Mouna arrives unexpectedly in search of her son, the professor's personal commitment develops into an unlikely romance. And it's through these new found connections with these virtual strangers that Walter is awakened to a new world and a new life.
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WHEN DID YOU LAST SEE YOUR FATHER?
Director: Anand Tucker
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An unflinching exploration of a father/son relationship, as Blake Morrison deals with his father Arthur's terminal illness and imminent death. Blake's memories of everything funny, embarrassing and upsetting about his childhood and teens are interspersed with tender and heartrending scenes in the present, as he struggles to come to terms with his father, and their history of conflict, and learns to accept that one's parents are not always accountable to their children.
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THE WITNESSES
Director: Andre Techine
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The time is 1984. The place is Paris. A young, handsome man arrives and strikes up a platonic relationship with a wealthy doctor, Adrien, who exposes him to Sarah and Mehdi, a young couple who have just had their first child. An unplanned love affair at the onset of a new, unnamed epidemic upsets the tranquility of their lives. The four friends are confronted with the end of the sexual revolution; each facing new possibilities.
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YOUNG@HEART
Director: Stephen Walker
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Prepare to be floored by the inspiring individuals of Young@Heart, a New England senior citizens chorus that has delighted audiences worldwide with their covers of songs by everyone from Led Zeppelin to Coldplay. As Stephen Walker's documentary begins, the retirees, led by their strict musical director, are rehearsing their new show, struggling with a discordant Sonic Youth number and giving new meaning to James Brown's "I Feel Good." What ultimately emerges is a funny and unexpectedly moving testament to the simple things these seniors value: old friendships, new challenges and a little time in the spotlight.
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